I take a look at the best way to use the mic options in Abbey Road ONE - I collated a huge amount of advice from Simon Rhodes to create this tutorial - thank...
Are you always after that elusive sizzle that Hybrid Brass has? Well you've probably already got it in your sample collection, it just needs a bit of help to...
Have you ever wanted to custom build your own clusters in Kontakt? Here is a super quick and easy way to do it using your Studio series libraries!
Why should you use the Organ in your productions? We dive into the development of the instrument and take a look at the different sounds you can get..***Loca...
In this one we look at Elmer Bernstein's re-arrangement of Herrmann's original 1962 score to the film CAPE FEAR - for Martin Scorsese's 1992 remake. We'll lo...
So this was a nuts idea... can I make a recording of the BBC SYMPHONY ORCHESTRA when all of the players are stuck at home with little more than an iPhone to ...
A super brew of distortion for your orchestral stuff.. I whack Symphonic Brass through a vintage VOX AC30!! #spitfireaudio https://www.spitfireaudio.com/shop...
One way to really get those short notes working for you! Add some movement to a long flowing line with subtle use of short notes..
A quick tip I've loved using in 2019!! and don't forget.. wishlist is nearly over! Up to 65% off collections and up to 40%/50% off individual products! https...
Who won my mac pro?! Here are the shortlist - all of you get in touch with us as instructed in the video to get a prize! Simone Pucci Rocco - Jusqu'ici tout ...
A look at how I made the track Crystal Laboratory using just the sounds in Percussion Swarm.
Who wants to win my 2013 Mac Pro? Competition details in video! #winpaulsmacpro VOCAL PAD DOWNLOAD LINK: https://we.tl/t-SyndVkh5qV MAJOR MODES: https://yout...
A quick look at three tips you can take away from the first eight bars of this incredible piece to use in your own productions. You can buy the orchestral sc...
For a bit of fun! A quick comparison between BBC SO String section, Spitfire Symphonic Strings, and the old Bespoke library from 10 years ago..
In this one we look at how to voice your melodies and chords for the High Woods, Piccolo, Flutes, Oboes, Clarinets.. and explore the many amazing textures an...
In this one we have a proper look at options for laying out the voices in the string section to a simple four chord part, and then ways of arranging a short ...
Three great tips you can use in your work from the great Jerry Goldsmith's score to Basic Instinct
A first look at the #Behringer #Odyssey recreation of the classic #Arp Odyssey: and a quick run through some of the main synth features and how to use them. ...
Apologies in advance for the dodgy sound and video!! iPhone footage.. just a very quick update before I make some in depth proper content to go through all t...
To celebrate Make Music Day I show you how to write a cue with zero budget! Check out FREE stuff here: https://www.spitfireaudio.com/labs/#
In this one we take a look at seven great choices for recording at home, looking at Large and Small Diaphragm condensers and an Active Ribbon. Check them out...
A look at how saturation affects the sound of your instrument tracks. NO DRUMS HERE! Instead we look at Piano, Strings, and Low Brass. We check out some grea...
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A look at the minor modes - natural, harmonic and melodic, and how we construct them.
A look at my process for orchestrating from a piano demo using sample libraries - working quickly to keep inspiration flowing!
In our first look into harmony we check out the major modes and start to look at usage examples.
A look at how I created my Studio Brass demo Ravine Chase - starting from a Piano sketch
A look through a track I wrote for Sound Dust's latest volume with Spitfire - a bit different from my recent work, lots of juicy EQ, Compression, Delays and ...
A look at how I set and use a compressor - on some pizzicato strings. With a bit of explanation on the differences between VCA, FET, Opto and VariMU!